journal of sustainable studies joss
The style of drafting the sami template in Iraqi music
Dr.. Ali Najm Abdullah
Department of Musical Arts
College of Fine Arts – University of Basra
ABSTRACT:
Al-Samahi is one of the Arabic templates with a distinctive style in terms of the compositions of its parts and its use to drink rhythmic, which is unique to this template. Al-Sama’a is very similar to Al-Bashraf template, but it is a smaller than it. In Iraqi music, there are many musical forms and colours Al-Sama’a is very similar to Al-Bashraf template, but it is a smaller than it. In Iraqi music, there are many musical forms and colours. The Al-Samai mould has been unique as a musical composition that has been distinguished and received the attention of its authors. Therefore, Iraqi music has been characterised by hearing since the beginning of the twentieth century and to the present day. Therefore, in the research on this has dealt with this hashtag (the method of drafting the al-Samaa template in Iraqi music) to learn about the method of writing al-Sama’i among Iraqi music authors in terms of using Arabic maqām in general and Iraqi in particular, as well as their use of different rhythms and forms, including So these works were characterised by their clear approach in terms of fusion of melodic and rhythmic tissue together using technique and shaking with musical sentences and the use of rhythmic patterns inside the same field. This was revealed through the current research context. Through this research, it dealt with a brief presentation of the development of Iraqi music and how it affected the reality of music in the affirmative The most important productions of Iraqi musicians from hearing during the twentieth century, after which the research concludes with findings, recommendations, and research sources.
Keywords: (style, formulation, Samai template, Iraqi music).