journal of sustainable studies joss
Visual formation in the poetry of Abdul Aziz Aseer
M.D. Ashwaq Ghazi Al-Yasiri
Basra University / College of Education for Girls / Department of Arabic Language
Abstract:
Poetry leaves its mark when the poet formulates his speech, absorbing the attractive and composing frameworks for his experience, as the poet tries hard to open up in his poetic discourse to modernity while adhering to the heritage. The identity of the poet is clear, and it draws intently the connection between the author of the text and its recipient. And understand the most important aesthetic values involved in the artistic creation process.
Abdul Aziz Asir’s poetry overlooks the reader in his poetry (the screen beyond the paper) in its three parts, explaining the contemporary vision of the text in the use of visual formation with its various mechanisms (visual formation in textual thresholds, visual formation in punctuation marks, visual formation in the line of poetry, visual formation in Margin, and visual formation in spatial and temporal documentation) in his attentive attention to breaching tradition and stereotyping and giving the text an aesthetic dimension that illuminated interpretation and interpretation, when he instructed the reader to part of the visual perception by polarizing it to the text and moving between black and white.
Keywords: (visual diacritics, textual thresholds, visual modulation, punctuation).