journal of sustainable studies joss
Dr. Hazem Abdel-Majeed
Researcher: Mustafa in Jaseb
University of Basra – College of Fine Arts – Department of Performing Arts
Abstract:
The reality of the play in its merits and facts needs a scientific space for the permanence of form and content, so the search for the causes of its formation is due to intellectual and cultural theses that crystallized a critical and analytical character through artistic media and its relationship to the theatrical presentation, from here was the basic starting point for the presence of the research idea and its starting point was the reason for the facts and facts and its aesthetic artistic transformation , With the parallels of ideas, feedback, and the communication structure between the subscriptions of the media and its analytical implications.
The relational overlap of theater values and their shifting symbols in the values of the artistic media of the performer artistically and aesthetically, followed by the level of analysis of the theatrical presentation according to (before – during – after) the performance, and since theatrical output is the basis of the graphic composition of what the achievement is and is the semantic justification to prove its causal truth in the value of the dimension The imaginative and communicative between the elements of the presentation and their formative deliberation that are drawn by the stylistic methods of directing in achieving the visual and audio values in the exhibition space, with the compatibility of the formation (scenography) and (music) and its perceptual value for lighting, all of which are basic starting points for the art of directing in qualifying the cultural level of the theatrical achievement, and the interconnectedness of the meaningful participants With the values of technical media productivity for the features of critical theorizing.
This idea created a problem included in the question of the following research problem: (What are the starting points for the stylistic and cultural transformation of the grounds and facts of the artistic theatrical performance?) To produce according to this problem the title of the tagged research (the indications of the facts of the theatrical motifs as an output). The most important of them are (Identifying the values of the theatrical performance and their conceptual overlap in output), while the theoretical framework sections consisted of two topics, namely:
The first topic: the stage between the emergence bug and the causality of formation.
The second topic: Inspiration and continuity of theatrical formations between theory and practice
: They are the values of the formation achieved within the artistic perception and the cognitive manifestations produced between the values of the theatrical process and its aesthetic continuity and the pattern of the media-cultural transformation produced for the moment of the formation of the show.
Key words: Semantics, Facts, Rationale, Play .