Experimentation and its manifestations in the Iraqi theatrical text

Mahmoud Shaker Kata

Prof. Hassan Abdel-Moneim Abdel-Mohsen

University  of Basra – College of Fine Arts – Department of Performing Arts

Abstract:

Theater, like all other arts, has taken care of experimentation since the beginning of the fifties of the last century, through many theater writers who benefited and employed experimentation through the historicality of the event or the search for personalities having a historical dimension, especially (Brecht) in some of his theatrical texts that had a great role in benefiting from experimentation And his endeavor to change the usual and traditional patterns of behavior or behavior in life and their repercussions on stage, Its alienation and the creation of many foundations in the theatrical text, which took it upon itself to clarify, interpret and question the reality experienced by man in his daily life. Based on the foregoing, the current research came in four chapters, the first chapter (the methodological framework about the research problem that came according to the following question (What is the mechanism and the variables that the writer follows in building his experimental text) then the importance of the research and the need for it then the goal of the research and the limits of the research and finally define the terms and define and finally define the terms and define Who needs to be defined,Then the researcher moved to the second chapter (the theoretical framework) and contained in his brochures two topics, the first topic talked about experimentation according to a philosophical perspective, while the second topic talked about the manifestations of experimentation in the global theatrical text and concluded the chapter with what resulted in the theoretical framework, while the third chapter (procedures) spoke For the research community, which consisted of (16) theatrical texts, the outcome of what the researcher calculated for the time limit of the research, then the research sample, the research tool and methodology, and finally the research sample analysis.As for the fourth chapter, he talked about the results reached by the researcher, one of the most important of which is (finding coded forms with multiple indications and sarcastically presenting them as a dominant theme in the spaces of the theatrical text, such as the repugnant insect), and then the conclusions and one of the most important (interest in the intellectual structure came deeper than his interest in the dramatic structure) Then the search was concluded with a list of margins and a list of sources.

Key words:  Experimentation, Iraqi theatrical text, manifestations .

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